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From Publisher’s Weekly:

In Zeldis’s nuanced story of friendship and heritage, two American college students grapple with their Jewish identity in the wake of WWII. In 1946, Miriam Anne Bishop drops her first name when she enrolls at Vassar College, choosing to pass among her gentile classmates. Delia Goldhush, on the other hand, doesn’t hide her Jewishness and ignores the snubs and rude remarks made by Anne’s friends. Anne is intrigued by Delia and they form a secret friendship, which implodes when Anne chooses her gentile friends over Delia. Anne feels terribly guilty, however, and leaves her snobby clique to study in Paris for her junior year. Delia is also drawn to Paris, where she was living with her family on the eve of the German invasion. There, she searches for answers about her French sculptor mother, Sophie, who stayed behind when the Goldhushes fled back to the U.S. and may have been killed while fighting with the Resistance. Anne and Delia meet by chance in a Paris gallery, and Anne offers to help Delia, hoping to renew their friendship. Zeldis adds depth to the brisk story in her portrayal of the characters’ complex feelings about their Jewish heritage. It’s an appealing historical. —Publishers Weekly

From bookreporter:

In today’s polarized world, certain individuals are often talked about as “them” or “those people,” pejorative terms to say the least. In ONE OF THEM, Kitty Zeldis takes that phrase, those words, and exposes the microaggressions, the ignorance and the prejudice behind it. The book’s two main characters attend Vassar College. While they are Jewish and from wealthy families, their approach to life is very different.

Anne Bishop becomes part of a group of privileged WASP girls, taking tea with them and dishing tea, gossiping about fashion, other students and life. Her mother died when she was a baby, and she and her father are very close. He changed his name to Bishop when the law firm he wanted to join didn’t show an interest in him, and he thought a non-Jewish last name might help his chances. His first name changed from Jacob to Jay. He has been very successful with his new moniker. Anne’s first name is Miriam, but at Vassar she decides to go by her middle name after an unsettling event with her best friend during high school.

Delia Goldhush, on the other hand, escaped Nazi Germany after the occupation of Paris with her father, who owned an art gallery. Her mother, an artist, disappeared right before they were to depart, so they had to go on the last boat leaving France without her. Her parents were more dedicated to and consumed by their social network, art and their gallery than they were with loving their daughter. Delia’s sophisticated style, confidence and obvious intelligence draw Anne to her. They are starting to grow close until Anne participates in an event that drives a wedge into their budding friendship.

Zeldis’ narrative is fluid and easy to read. The descriptions and the reflections, combined with just the right amount of dialogue, make this a book you won’t want to put down. After all, we like these two women — both of whom are perfectly imperfect — and we want to know how they proceed in their journey. Anne and Delia are searching for something. Delia yearns for the mother she never really had. She thinks that if she can find the boxes of sculpture her mother left behind in Paris, she finally will be happy. Anne’s father died when she was in high school, so she’s on her own. But she was irrevocably changed by her short-lived relationship with Delia. She has feelings of shame for her part in what happened, and she misses the friendship that might have been.

The story takes us from Poughkeepsie, NY, to Paris, and even to the brand-new state of Israel. As Zeldis shares the unfortunate truth about the many microaggressions that Jewish people endured in the ’40s, it’s clear that those same microaggressions are still happening. And the tensions between the Jewish settlers and the Arabs in what was Palestine and is now the state of Israel? Things are just as dire today as they were then. Anne’s guide in Israel was Ahmed, and he told her that his family had lived in Palestine-now-Israel for three or four generations. He said that while many Jews had lived in Palestine, there were riots after the British conquered Syria, and most left. But “now they’re back again. Grabbing the land. Trying to force us out.” And the Arabs attack the Jews who then retaliate in what becomes a never-ending cycle. Sound familiar?

Later, the same guide tells Anne, “You Americans are so soft. Nothing bad has happened to you in a long time. But bad things have been happening to us longer than you’ve been alive.” When she replies that bad things can happen to anyone, he says that bad things happen to some people “more than others.” As Anne talks about the violence she witnessed at the kibbutz she visited, someone comments that “[n]othing is going to get settled for a long time.” Such irony. Who could have imagined that the anger, the distrust and the hatred would continue for generations?

ONE OF THEM is not a happily-ever-after story. It’s an incisive look at the post-WWII era, when antisemitism was rampant, and restrictions were in place in private country clubs, summer camps, subdivisions and the workplace. “Passing” was what some did to make life easier, and this is an insightful reveal of what that entails and how that might play out.

It would be wonderful to say that the world has changed, that religion no longer indicates the value of a person nor does the color of one’s skin. But in reality, what Zeldis has done is to cause the reader to see the unfortunate truth that all too little has improved. The conflict in the Middle East is as bad as it ever was, and antisemitism and prejudice against those from other cultures is rampant in the US, as well as other parts of the world.

But none of that takes away from the beauty of Anne and Delia’s story. It’s inspiring and a testament to the importance of forgiveness and being true to one’s self. Multifaceted protagonists, an intriguing plot and beautiful writing make this a novel not to miss.
Reviewed by Pamela Kramer on September 13, 2025

From Jewish Book Council:

Anne Bish­op has just tak­en her place among her group of friends at the Vas­sar Col­lege dai­ly tea when the oth­ers start in on anoth­er girl who lives on their hall: Delia Gold­hush, an Amer­i­can raised in Paris. 

“There’s some­thing dif­fer­ent about her. Some­thing not quite right,” one says. ​“Every­one knows they’re a bit devi­ous. And that they keep to them­selves,” anoth­er one chimes in. Then Vir­ginia, the leader of the pack, weighs in with her own cut­ting remark: ​“Exclu­sive. And supe­ri­or. Like they think they’re bet­ter than oth­er people.”

So begins the open­ing chap­ter of One of Them, a new nov­el by Kit­ty Zeld­is about two Jew­ish women at the exclu­sive, then all-women’s col­lege in Pough­keep­sie, New York, in the years just after World War II. Both are forced to grap­ple with the casu­al anti­semitism of their non-Jew­ish class­mates but choose to do so in dra­mat­i­cal­ly dif­fer­ent ways. 

Anne, who was Miri­am grow­ing up with her wid­owed father in New York City but decid­ed to go by her more Anglo-Sax­on-sound­ing mid­dle name when she arrived on cam­pus, sim­ply allows her WASP friends to assume that she isn’t Jew­ish so as not to endure the snubs and slights she might oth­er­wise face. Delia, on the oth­er hand, proud­ly presents her­self to the world as who she is, seem­ing­ly indif­fer­ent to her sta­tus as an out­cast, con­tent to dine, study, and par­take of all the college’s intel­lec­tu­al rich­es alone.

At the begin­ning of the nov­el Anne and Delia seem to be on the verge of becom­ing friends, drawn togeth­er by their shared love of art, archi­tec­ture, and styl­ish cloth­ing, until a scan­dal engulfs Delia and, almost inex­plic­a­bly, Anne sides with the mean girls against her. In sub­se­quent chap­ters, each woman must deal with the con­se­quences of her actions and under­take a jour­ney of self-dis­cov­ery that will wind through Paris, take a detour to Pales­tine just as it is about to be par­ti­tioned into a Jew­ish and an Arab state, and end up in the cos­mopoli­tan yet very trib­al city of New York.

Zeld­is — whose pre­vi­ous nov­els Not Our Kind and The Dress­mak­ers of Prospect Heights also explored aspects of Jew­ish life in Amer­i­ca just before and after the world wars — has con­struct­ed an intri­cate plot with echoes of Gentleman’s Agree­ment, Lau­ra Z. Hobson’s 1947 best­selling nov­el about ​“gen­teel” anti­semitism in Amer­i­ca, and Exo­dus, Leon Uris’s block­buster about the found­ing of the state of Israel that came out about a decade later. 

At its heart, though, One of Them is a com­ing-of-age sto­ry about Delia and Anne — two smart, tal­ent­ed, and sex­u­al­ly adven­tur­ous pro­tag­o­nists who face hard­ship and dis­crim­i­na­tion for being both women and Jews. Not only must they con­tend with the anti­se­mit­ic slights of their class­mates, but they also must fig­ure out how to nav­i­gate the sex­ist dou­ble-stan­dard that reigned on col­lege cam­pus­es and in soci­ety in the era before sec­ond-wave fem­i­nism trans­formed high­er edu­ca­tion and every oth­er facet of Amer­i­can life.

From Library Journal:

Zeldis explores a friendship between two students at Vassar College just after World War II. Anne Bishop, who used to go by Miriam, conceals her Jewishness to fit in with the popular girls. She’s unsure how to assert herself when her white friend group targets Delia Goldhush, a Jewish student who doesn’t fit in and doesn’t care to. Anne quietly befriends Delia, but the dynamic between them is corrupted by a betrayal. Both women’s families have traumatic histories, and both grapple with their Jewish identity, which ultimately leads them to Palestine. As they intersect on the eve of the creation of Israel, the tension within their identities intensifies, and both women try to find a voice for themselves and with each other. The milestones of first loves, the agony of family secrets, and a hunger to find their place in the world guide each woman in a different direction until the fitting and satisfying ending. VERDICT A strong story of women’s friendship set against a dynamic historical era. The journey Anne and Delia undertake will inspire plenty of fruitful book club discussions.